FINESTRE SULL'ARTE | Tommaso Buldini, la pittura surreale di un artista dal subconscio prolifico

"Everything can happen" in Tommaso Buldini's (Bologna, 1979) worlds, quoting his own words borrowed from the last scene of Fanny and Alexander, wich is taken in turn from Strindberg. "Everything is possible and probable", also for devils who coexsist with Blemmi (Headless beings, with eyes and mouth on the belly or chest), anthropomorphic trees and eyed towers, hooded men, little monsters, gloomy harpists with faces-texts of collodian memory, floating anatomical parts, headless bodies or heads without bodies from whose orifices anything goes in and out (little men, spaghetti, insects, strange animals), engaged in actions often meaningless because in these microcosms “time and space do not exist. On a weak frame of reality, imagination spins weaving new patterns.”

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